Favorite Spring Reverb Pedal?

Clockwise

Squier-Meister
Jan 26, 2021
355
Atlanta
My first was a $20 Azor from Amazon. It's surprisingly good. And brown. I call it my "turd-verb", but not because it's bad.

I picked up a used Oceans 11 to see if I was missing anything. It's also very good (I'm not a reverb cork-sniffer) and I have no complaints. I only kept it because it gives me other options (plate, hall, tremolo, etc) that I'll play with occasionally. If it was spring only, I would have sold it and kept the "turd-verb".
 

duceditor

Squier-Axpert
May 29, 2014
16,999
The Monadnocks, NH USA
Boss FRV-1

∆∆∆∆ same here ∆∆∆∆

Been wanting to try one of these for a minute now.
This is what I use. Best spring reverb I’ve found yet.
View attachment 262596
I'm with you three.

But for any forum member looking to buy by recommendation, not by hearing, it is important to know that the FRV-1 does exactly what it was meant to do -- and thus may not please you.

The FRV emulates an early, true, Spring Reverb 'box. It does not emulate actual reverberation.

A true spring reverb uses the signal -- and here that is the clean signal directly from the guitar, before the amp has any effect on it, and used it to drive, quite literally, a long, metal, spring. (Or several such) The other end of the spring is connected to a transducer that picks up all that generated "boing" and mixes it back in with the original signal.

Modern amps have what they call "spring reverb" -- some literally being such, others digitally emulating them -- that is much, much less "boingy." Purer. Truer to actual, natural, reverberation. (Singing in the shower stuff)

The old type has a sound all its own. And that is the sound of things like gentle guitar "echo" (Sometimes added to literal - "slap back" echo (where you hear the return slightly seperately -- delayed -- from the original signal -- all the way up to intentionally overdone stuff (including, here, most "surf" music.

Me? I love the FRV-1 But you may not. Indeed, some absolutely hate its artificiality.

-don
 

Higgins1980

Squier-Nut
Feb 9, 2023
976
North Carolina
I'm with you three.

But for any forum member looking to buy by recommendation, not by hearing, it is important to know that the FRV-1 does exactly what it was meant to do -- and thus may not please you.

The FRV emulates an early, true, Spring Reverb 'box. It does not emulate actual reverberation.

A true spring reverb uses the signal -- and here that is the clean signal directly from the guitar, before the amp has any effect on it, and used it to drive, quite literally, a long, metal, spring. (Or several such) The other end of the spring is connected to a transducer that picks up all that generated "boing" and mixes it back in with the original signal.

Modern amps have what they call "spring reverb" -- some literally being such, others digitally emulating them -- that is much, much less "boingy." Purer. Truer to actual, natural, reverberation. (Singing in the shower stuff)

The old type has a sound all its own. And that is the sound of things like gentle guitar "echo" (Sometimes added to literal - "slap back" echo (where you hear the return slightly seperately -- delayed -- from the original signal -- all the way up to intentionally overdone stuff (including, here, most "surf" music.

Me? I love the FRV-1 But you may not. Indeed, some absolutely hate its artificiality.

-don
I’m totally in love with mine. It sounds like you could pick it up and shake it to make noise. The only downside to it is that it is a one trick pony (does it’s truck really well though). I have a second reverb pedal as well for room, hall, and plate reverbs of which plate gets the most love.
 

Shaytan

Squier-holic
Apr 10, 2018
1,891
Lisbon, Portugal
All my “proper” practice amps throughout the years have had spring reverb boxes built in, so that’s what I’ve always been using! If some day I ever decide to bring to form my dream pop concept idea, a digital unit with more “glitchy” effects would be a consideration, the Walrus Audio SLO being the ultimate weapon of choice!

For now, at least, to give my tone a flavour during rehearsals, practicing and in recordings, driving the built-in, analog reverb tanks serves the job just fine.
 

MyLittleEye

Squier Talker
Jan 13, 2021
17
Kew
The Zoom MultiStomp does me fine; I'd keep it just for its Spring Reverb.
Its Spring63 effect gets big thumbs up on the Surf 101 forum
A poor man's FRV-1 - all the other potential 171 on board effects are a bonus.
The MS-50g is my pocket pedal board
 
Last edited:

twang69

Squier Talker
Apr 21, 2020
18
Graz
Until I've sold it recently, I was using the Crazy Tube Circuit's White Whale a lot. It contains a real spring reverb tank, albeit a small one, but it does the job nicely. You can even switch between 2 and 3 springs. The "brown"-tremolo-setting is very authentic too. Basically this used to be my all-in-one pedal for surf needs. Even though I prefer a real spring reverb soundwise, I wasn't too fond of the noise it generates on recordings, but you can't kick an emulation pedal for the splash... :cool:
IMG_2994 Kopie.jpg
 
Top