duceditor
Squier-Axpert
As I'd mentioned earlier I was offered two new Kmise pedals to test and review. Their "Crunch Distortion" (which I expected to really like) and their "US Dream" (which I thought might at best be "interesting.")
Turned out I was wrong about both.
The "Crunch Distortion" was to me nothing but "buzzy." At the lowest settings (1 or 2) it might be usable to me, but even there was nothing to sing about. Turned up any higher and it was for me basically unusable. Not at all what I think of when I think "crunch."
That one I suspect I will not officially review and will explain to the folks at Kmise why.
But oh, that other one! The "US Dream." It is simply the nicest, most "real" sounding overdriven Fender amp sound I ever heard come out of a pedal. Way better to my ears even than the far more complex Joyo "American Sound."
I had a long session playing with them. I played the Supro Black Holiday guitar and fed it through the Supro Blues King amp.
I generally use the Supro when I want what I'd describe as "in your face clean." Not clean in a Fender Twin sense, but in the sense of its harmonics being real and touch sensitive -- more smooth to growly and a bit "rowdy" for want of another word. (Actually I think that one is about perfect!)
The Supro amp has been my go-to amp for fifties type rock and the sort of blues I'd otherwise play on an acoustic. If I want heavy Fender distortion I've long leaned to my Joyo Sweet Baby amp with its classic `50s Champ circuit.
(True clean for things like Surf I'll with use the Twin Reverb or one of my modeling amps with a Twin simulation.)
But this "US Dream" does "Fender" so well that with the Supro at tonal neutral with no boost or drive added I can get seriously into Champ territory. So natural. So smooth. Or, if I turn up its distortion knob a bit, really over the top in a totally believable Fender way.
The tone trims the highs for smoothness or boosts them to make the sound more jagged. Again, very Fendery.
How do they do it? A complex miniature circuit, or a really simple one that is simply brilliant?
I have no idea.
I won't actually write the review until I make a video to go with it (The companies love that!), but I wanted you guys here to know. I am very excited by this pedal. And if I was gigging it and the Blues King would be all that I need for club date.
Oh, did I mention the cost? This freakingly good distortion pedal (well, to me. Do know that I am not a metal player! ) is Twenty bucks delivered! What a wowza!!!
Kmise Distortion Pedal for Electric Guitar Mini Single Type DC 9V True Bypass (US Dream)
-don
Turned out I was wrong about both.
The "Crunch Distortion" was to me nothing but "buzzy." At the lowest settings (1 or 2) it might be usable to me, but even there was nothing to sing about. Turned up any higher and it was for me basically unusable. Not at all what I think of when I think "crunch."
That one I suspect I will not officially review and will explain to the folks at Kmise why.
But oh, that other one! The "US Dream." It is simply the nicest, most "real" sounding overdriven Fender amp sound I ever heard come out of a pedal. Way better to my ears even than the far more complex Joyo "American Sound."
I had a long session playing with them. I played the Supro Black Holiday guitar and fed it through the Supro Blues King amp.
I generally use the Supro when I want what I'd describe as "in your face clean." Not clean in a Fender Twin sense, but in the sense of its harmonics being real and touch sensitive -- more smooth to growly and a bit "rowdy" for want of another word. (Actually I think that one is about perfect!)
The Supro amp has been my go-to amp for fifties type rock and the sort of blues I'd otherwise play on an acoustic. If I want heavy Fender distortion I've long leaned to my Joyo Sweet Baby amp with its classic `50s Champ circuit.
(True clean for things like Surf I'll with use the Twin Reverb or one of my modeling amps with a Twin simulation.)
But this "US Dream" does "Fender" so well that with the Supro at tonal neutral with no boost or drive added I can get seriously into Champ territory. So natural. So smooth. Or, if I turn up its distortion knob a bit, really over the top in a totally believable Fender way.
The tone trims the highs for smoothness or boosts them to make the sound more jagged. Again, very Fendery.
How do they do it? A complex miniature circuit, or a really simple one that is simply brilliant?
I have no idea.
I won't actually write the review until I make a video to go with it (The companies love that!), but I wanted you guys here to know. I am very excited by this pedal. And if I was gigging it and the Blues King would be all that I need for club date.
Oh, did I mention the cost? This freakingly good distortion pedal (well, to me. Do know that I am not a metal player! )
is Twenty bucks delivered! What a wowza!!!Kmise Distortion Pedal for Electric Guitar Mini Single Type DC 9V True Bypass (US Dream)
-don
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