English for us(me) gear illiterates?
He isn't using the amplifier part just the speakers.
English for us(me) gear illiterates?
I appreciate that. I'm not up on my tech lingo and such.
That LP looks just like the Electra ones with a maple board and black block inlays that I used to see in ads in Guitar player back in the day. I really liked all those Japanese off-brands, Electra, Aria Pro II, Westone, Westbury, etc. I think a lot of them were made by Matsumoku.I felt bad for her because someone called her ugly! Had to fire her up and give her some love tonight!
I’m actually glad I did. It’s been a while since I have played this amp and we don’t always get along. Tonight was good. It sounded nice.
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I agree, ONCE I have a replacement upgraded transformer on-hand, then I'll crank 'um. Until then I take it easy because getting replacement parts was hard until I found Mojotone. They have an all-new transformer specifically for the 1484 that's upgraded and can support the full 60W output. It's now a matter of saving the $ for the transformer.I have a 1484. I'm not worried about the transformer. Suitable replacements are available. I'd rather enjoy it for what it is than baby it.
Didn't Leslie West work for Crate at that time?LOL, there's always exceptions, but ye have to admit that most Crate amps are more function over form design, in what I typically call the Industrial style.
1978-mid80s Crate CR-1.
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Trash or Treasure: Crate CR-1
One look at the first amp offering from Crate is all it takes to grasp the literal flavor behind the company’s name.www.premierguitar.com
This one is Crate's very first amp, LOL! This article is an interesting read. When I said function over form, that's before I knew about this one, LOL!
Here's some other Crates...
Crate GX-15.
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Crate GX-60D.
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Crate XT-120R.
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Crate GT-1200H
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Didn't Leslie West work for Crate at that time?
Well I was sold on the VC10 until...yes tubes...no spring reverb! LOL! Back to looking again...drats!The Fender Super Champ was mentioned. I have two of them, two XD. I also had a X2 for a while. They're 15 watters and plenty loud if need be. But they also shine at low volume. By far the most versatile amp I've ever played.
Several really nice tube amps went through my studio (Fenders, Marshalls, BlackHeart, Vox, etc) and the SC is always the one that stayed. Seriously, you'd ask me to only keep one, that'd be the one. I presently have a XD in the studio, a Monoprice 15W and an Egnater Rebel 30W. The SCXD gets the most play time. The second one I mentioned lives at the summer cottage. It's the only one I use for the summer months and I do not miss my other amps for that period.
The X2 is also great.
Have to ask, is this amp going to burn up tubes often? I do not play loud and not playiing for more than an hour every other day or so. That and the worry about quality and price. I can tell from past experinces in almost everything, the old saying they don't make them like they used to, is so very true in todays world.The Fender Super Champ was mentioned. I have two of them, two XD. I also had a X2 for a while. They're 15 watters and plenty loud if need be. But they also shine at low volume. By far the most versatile amp I've ever played.
Several really nice tube amps went through my studio (Fenders, Marshalls, BlackHeart, Vox, etc) and the SC is always the one that stayed. Seriously, you'd ask me to only keep one, that'd be the one. I presently have a XD in the studio, a Monoprice 15W and an Egnater Rebel 30W. The SCXD gets the most play time. The second one I mentioned lives at the summer cottage. It's the only one I use for the summer months and I do not miss my other amps for that period.
The X2 is also great.
I know you have stated you are also looking for that one amp for the sound you want, but really for less than a grand, even better at around $800.00, would I be better off looking at other amps then a Fender? The price is a factor but I would desire (naturally) quality as well.I had a similar experience with my first 2x12 combo amp at age 16 also. My friends raved about the Peavey Renown 400. It was the biggest POS I've ever had. It was back in the shop for warranty repairs 3 times within the first year ... and then back again out of warranty. It caused me so much trouble that I never touched another Peavey again.![]()
I've had both for about 5 years, and just last month blew a small 12AX7. The amp was really cranked for a while. Cheap to replace. Apart from that, no problem whatsoever. It doesn't have a spring reverb, but the 3 digital provided sound real good.Have to ask, is this amp going to burn up tubes often? I do not play loud and not playiing for more than an hour every other day or so. That and the worry about quality and price. I can tell from past experinces in almost everything, the old saying they don't make them like they used to, is so very true in todays world.
Isn't that just a city tale ?* This includes NOT handling them with bare hands. The oils from skin will leave a residue on glass that will at minimum get baked onto glass becoming a permanent marking to at worse cause a hot spot that may cause the glass to fail and render the formerly vacuum tube useless.
Yes, it's true for quartz-halogen bulbs, but not vacuum tubes.Isn't that just a city tale ?
I know you have stated you are also looking for that one amp for the sound you want, but really for less than a grand, even better at around $800.00, would I be better off looking at other amps then a Fender? The price is a factor but I would desire (naturally) quality as well.
My last visit to Guitar Center, here I am checking out a few Fender Amps and someone walks in with a Princeton amp with a lot of anger, something burned up in the back of the amp, you could smell it really bad, the amp they stated they only had it for less then one month! They are ticked off and I don't blame them, so this is why I am shy about a Fender amp now. The one I have is new for the most part, just a few months old, but I baby it compared to what some might be really cranking on it.
Good advice, I looked at a few websites for the prices on what is reviewed to being high end tubes...the prices are in orbit for a set. I imagine some of that would depend on what a particular amp would require. What ever amp I finally purchase, I am sure it would not take nor need super tubes as I would not be buying a higher watt power output.From what I've observed, tubes are considered consumables, they go thru extreme heat cycles as they're turned on/off. That's why there's a delay that must be observed between turn on and can use. The tubes need be stabilized at working temps before hitting them with the noises.
It's my understanding that the tubes can last longer as long as ye observe the above, use properly rated tubes (many cheaper amps come with under rated tubes installed, swap these out and they'll last longer) and not excessively hit them with max gain at max volumes all the times.
It's a fact that when cared for* and installed with a properly matched tubes, and not abused, they'll provide a lifetime of use.
* This includes NOT handling them with bare hands. The oils from skin will leave a residue on glass that will at minimum get baked onto glass becoming a permanent marking to at worse cause a hot spot that may cause the glass to fail and render the formerly vacuum tube useless.